pt.1. Liturgical practice and sacred music. Liturgical problems in Monteverdi's Marian Vespers. Journal of the American Musicological Society XX
The uses of the sonata da Chiesa. Journal of the American Musicological Society XXII
The use of instruments in sacred music in Italy 1560-1700. Early Music 1990.
pt. 2. The violoncello and other stringed intstruments. From violone to violoncello : a question of strings? The American Musical Instrument Society III
Terminology for the bass violin in seventeenth-century Italy. The American Musical Instrument Society IV
Catline strings revisited. Journal of the American Musical Instrument Society XIV
Corelli's heritage : the early bass violin in Italy. Studi Corelliani IV
The making of gut strings in 18th-century Paris. The Galpin Society journal 1999
Further thoughts on the history of strings. Catgut Acoustical Society 1976.
pt. 3. Notation and style. The instrumental music of Giovanni Legrenzi. Sonate a due e tre opus 2 1655, 1984
The instrumental music of Giovanni Legrenzi : style and significance. Giovanni Legrenzi e La Cappella Ducale Di San Marco 1990
Brossard's practice concerning the use of accidentals and the continuo in his instrumental music. Sébastian de Brossard musicien 1998
A formal convention in 17th-century Italien instrumental music. International Musicological Society report on the 11th Congress 1972.
pt. 4. General. The use of instruments in the ensemble canzona and sonata in Italy, 1580-1650. Recercare IV
Chronological register of documents concerned with music (1583-1710) in Santa Maria Maggiore, Bergamo. Biblioteca Civica Angelo Maj Bergamo, Italia 1978
The interpretation of notation in music for Italian instrumental ensembles in the mid- to late-17th century. Barocco padoan 2002.
