The other Hogarth: aesthetics of difference

"A wanton kind of chace": display as procurement in A harlot's progress and its reception / James Grantham Turner

The flesh of theory: the erotics of Hogarth's lines / Frédéric Ogée

Professional femininity in Hogarth's Strolling actresses dressing in a barn / Christina Kiaer

Spotting the symptoms: Hogarthian bodies as sites of semantic ambiguity / Peter Wagner

Unfolding gender: women and the "secret" sign language of fans in Hogarth's work / Angela Rosenthal

Manly satire: William Hogarth's A rake's progress / Mark Hallett

"Nature revers'd": satire and homosexual difference in Hogarth's London / Richard Meyer

The fetish over the fireplace: disease as genius loci in Marriage a-la-mode / David Solkin

Marriage in the French and English manners: Hogarth and Abraham Bosse / Sarah Maza and Sean Shesgreen

An un-married woman: Mary Edwards, William Hogarth, and a case of eighteenth-century British patronage / Nadia Tscherny

Hogarth's working women: commerce and consumption / Patricia Crown

Embodied liberty: why Hogarth's caricature of John Wilkes backfired / Amelia Rauser

"A voluptuous alliance between Africa and Europe": Hogarth's Africans / David Bindman

A fashionable marriage / Lubaina Himid

Lubaina Himid's A fashionable marriage: a post-colonial Hogarthian "dumb show" / Bernadette Fort.