Part 1 of 2: Excavations: Poe's "The cask of Amontillado"
Hawthorne's "Goodman Brown" and lost faith
Maupassant's "The necklace": real and paste
Chekhov, love, and "The lady with the dog"
James in the art studio "The real thing"
Epiphany and the modern in Joyce's "Araby"
Babel's "My first goose" : violent concision
Male initiation: Hemingway's "The killers"
Kafka's parable: "A hunger artist"
Lawrence's blue-eyed "Rocking-horse winner"
Female initiation: Mansfield's "Party". Part 2 of 2: Jackson's shocking vision in "The lottery"
O'Connor's "A good man is hard to find"
Paley on survival and "An interest in life"
The "Enormous wings" of Garcia Márquez
A new world fable: Malamud's "The Jewbird"
Baldwin's "Sonny's blues": a Harlem song
Updike's "A & P": the choice of gallantry
Kingston's warrior myth: "No name woman"
Atwood's "Happy endings" as metafiction
Gordimer's "Moment before" Apartheid fell
Carver's "Cathedral": a story that levitates
Why short fiction masterpieces?