Modernism, teleology, and identity : toward a cultural understanding of Julián Carrillo's Sonido 13
The avant-garde as a site of identification : style and ideology in Carlos Chávez's early music
Manuel M. Ponce, from nineteenth-century modernismo to twentieth-century modernism
The sounds of the nation, modernity, and tradition : the First National Congress of Music as synecdoche of discourses
Porfirian music in revolutionary times : Atzimba and the imagination of "the indigenous"
Ideas, canon, revolution, and places in history : Carlos Chávez and his relationships with Julián Carrillo and Manuel M. Ponce.
