From the Book - First edition.
Foreword / Mary Lou Emery Introduction: Rhys Matters? / Mary Wilson / Kerry L. Johnson Part I. Alternatives and Alterities: Market, Time, Language Menu, Memento, Souvenir: Sufferingand Social Imagination in Good Morning, Midnight / Andrea Zemgulys Clockwork Women: Temporality and Form in Jean Rhys's Interwar Novels / Nicole Flynn Language and Belonging in Jean Rhys's Voyage in the Dark / Ania Spyra Part II. Being and Believing: Judeo-Christian Influences and Identities Religion in Rhys / Steve Pinkerton "No Pride, No Name, No Face, No Country": Jewishness and National Identity in Good Morning, Midnight / Jess Issacharoff Part III. The Location of Identity: Writing Space and Place The Country and the City in Jean Rhys's Voyagein the Dark / Regina Martin "That Misty Zone Which Divides Lifefrom Death": The Concept of the Zombi in Jean Rhys's Short Fiction / Melanie Otto Reclaiming the LeftBank: Jean Rhys's "Topography" in The Left Bank and Quartet / David Armstrong Part IV. Pleasure, Power, Happiness The Trouble with "Victim": Triangulated Masochism in Jean Rhys's Quartet / Jennifer Mitchell "The Good Life Will Start Again": Rest, Return, and Remainder in Good Morning, Midnight / Andrew Kalaidjia The Un-happy Short Story Cycle: Jean Rhys's Sleep It Off Lady / Paul Ardoin
